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Hitachi SK-HD1300 Progressive HDTV Production Camera

Brand: Hitachi
Product Code: SK-HD1300
Reward Points: 0
Availability: 1
Condition: Brand New

Hitachi SK-HD1300 Progressive HDTV Production Camera

he SK-HD1300 is Hitachi’s top-of-the-line progressive scan HD Studio, EFP and sports camera. Outstanding images are acquired by three 2/3” 2.3 megapixel progressive scan MOS imagers. Hitachi’s implementation of the most advanced digital processing technology provides both low-noise pictures and multiple HDR profiles. The HD signal is generated by our newest UAIT (Ultra-Advanced) MOS imagers. Digital Signal Processing is handled by 38-bit Hitachi DSP’s. The SK-HD1300 is progressive scan throughout the entire camera chain and outputs 1080/60p, 1080i, 720p and SD-SDI. A new CU-HD1300(X) multi-format CCU connects to long-range triax and/or SMPTE fiber optic cable by simply switching the camera head adapters. An optional 4K upconverter with 12G output is available.

Features & Functions

  • New CU-HD1300FT with options for SMPTE fiber and/or triax cable connections:
    • CU-HD1300F connected via SMPTE fiber outputs.
    • CU-HD1300T connected via triax cable outputs 1080/60p, 1080i, 720p and SD-SDI.
  • NEW 2/3-inch, 1080/60p, progressively scanned, (Ultra-Advanced) UAIT-MOS sensors.
  • 1,100TVL standard resolution.
  • >60dB signal to noise ratio (1080/60p without noise reduction)
  • 38-bit per pixel per R,G,B channel Hitachi 40nm digital processing technology
  • 3Gbps progressive HD-SDI signal handling from end-to-end.
  • Switchable between progressive and interlaced signal processing, transport and outputs.
  • Multi-format global design outputs signals for most TV broadcast and production standards.
  • SMPTE-311M hybrid optical fiber cable provides transmission and camera power up to ~9,842 feet.
  • Advanced triax system with ultra-low-latency H-264 codec and multilevel digital modulation for long cable runs.
  • Triax cable length up to ~4,250 feet with 9232 ½” triax cable. ~2,300 feet with 9267 3/8” triax. (1080i mode).
  • The camera can operate with common-off-the-shelf Single-Mode fiber (with external camera head power).
  • Single-Mode fiber can be used up to 10Km (~33,000ft.) without external adapters, accessories or modifications.
  • The camera system can use an optical routing system to connect a large network of camera heads and CCUs.
  • NEW control panels (SU-1000 and RU-1500 series) can control up to 128 cameras with a TCP/IP network.
  • CCUs can be addressed and controlled via a common TCP/IP data network.
  • Dual 5-position motorized filter wheel is optionally available.
  • Low power 24W consumption (camera head + lens + optical cable adapter)
  • 2-piece dockable design improves maintenance and equipment flexibility.
  • Choice of multiple joystick or rotary-knob operation panels
  • Prompter and talent monitor power and video outputs available at the camera head.
  • Independent HD-SDI VF output for crane or Jib installations.
  • VF Focus assist (VF Area marker, Focus indicator and gauge)
  • Large selection of studio, EFP and ENG viewfinders.
  • Compatibility with all Fujinon Precision Focus lenses.
  • Digital optical extender function
  • 2 independent CCU Returns, inputs can be HD-SDI single or dual link, or SD analog or digital selectable
  • Full automatic setup using Gray Scale.
  • Digital registration or lens’ lateral chromatic aberration adjustment.
  • RLACTM: Real-time Lens Aberration Correction makes the best 2/3-in HDTV lenses look even better.
  • Direct data transfer from SU or SD memory cards used at camera head and control panels.
  • HD signal linear masking & 12-vector color painting.
  • Independent control of HD & SDTV detail
  • Ultra Gamma (Selectable Gamma table).
  • Black stretch/ black press.
  • Preset Masking (6 settings: DEFAULT, ITU-709, SMPTE-240M, SMPTE-2020, NTSC, EBU).
  • 2 channel Flesh-tone masking and multiple memory Flesh-tone detail correction settings.
  • Knee saturation and Knee detail functions.
  • Real-time and offline diagnostic system with character display superimposed on PIX video output.
  • Accepts Analog VBS/BBS or HD Tri-level sync as genlock.

Configuration

 

  • Available Studio Adapter for use with all Broadcast box, compact studio and hand-held 2/3-inch bayonet lenses.
  • Cable-less Studio Adapter interface allows trouble free operation.
  • 2-piece dockable design allows easy configuration change and maintenance.
  • Maintains backwards compatibility with existing HITACHI HDTV control panels, cables, and viewfinders.
  • Ethernet control and assignment of control panels and CCUs.
  • Can operate over Single Mode Fiber (SMF) without expensive converters.
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